Sunday, December 29, 2019

Illegal Immigrants Are Granted Legal Status - 1964 Words

Right when illegal immigrants are granted legal status, the fear, anxiety, and worries are all gone. It starts to open a lot of pathways to success, or at least to start leading a normal life. Just like everyone else, the get to attain a driver’s license, Identification Card, open business, and have a more flexible schedule for work and mobility. Most importantly, many unfortunate students see the dream of continuing their studies to rise above earning and stressing with low income. For example, approximately 65,000 undocumented students graduated from high school each year and due to the barriers of not willing to apply themselves for higher education, they continued to be part of the poverty population (Schmid). Having the opportunity to apply in society norms starts making life easier. The benefits start to come in just like for any other American citizen. Greatest outcomes are being able to access college, universities, and increased job earnings, obtaining new jobs, inter nships, bank accounts, health care, credit card, and any other organizations. The embarrassment of not being able to do any of this is completely taken away. Immigration has been a big deal for decades, but with DACA it has eased so many families and individuals. Instead of deportation of anyone in general, the government will now be deferring deportation measures for those who meet the requirements of the order and focusing on the deportation of illegal immigrants who are a greater risk to the generalShow MoreRelatedillegal immigrant workers should be granted legal status1347 Words   |  6 PagesSupport one position on â€Å"illegal immigrant workers should be granted legal status† For the past 120 years- â€Å"between 1891 and 1920- [America has] received some 18 million men, women and children from other nations† (Bush 554) and causes one of the serious problem in the society. Therefore, immigration reform has been intensely debate among the citizen due to illegal immigrant issues that have become prevalent in United States. However, validating the illegal immigrant workers status should be consideredRead MoreArgumentative Essay on Immigration1148 Words   |  5 PagesIllegal Immigration Amnesty There are many problems that the United States faces and the one that is causing several debates is illegal immigration. Thousands and thousands of illegal immigrants have come from many different places. All of them have different desires. One might want a safe future for their family, one is probably looking for a fresh start, or even a place to spread their knowledge. The big question is should illegal immigrants be granted amnesty? After the resourcesRead MoreThe Immigration Of The United States1711 Words   |  7 Pagesvast majority of people living in the United States are descendants of immigrants, and yet majority of them are against them. It is quickly forgotten that America was built on immigrants that wanted a new life. A life free from harsh government, and the freedom from forced religion. The original settlers were immigrants that stole this land; immigrants continued to come for years. It is not a newly constructed concept that immigrants have always been a problem, ask any Native American. One used to beRead MoreLeaving Home For A Better Way Of Life1043 Words   |  5 Pagesvalues and reconcile our principles as a nation of immigrants and a nation of laws.† Barack Obama, June 28, 2008 In the world every year, hundreds of thousands immigrants emigrate. Some of these immigrants are legal and others are illegal. These Immigrants may emigrate to other places within their countries or venture as far as outside of their country into the United States. Each Immigrant e migrate for many different reasons, some immigrants come into the United States in the hopes for a betterRead MoreImmigration During The United States1199 Words   |  5 Pagesremember always, that all of us, and you and I especially, are descended from immigrants and revolutionists† (Franklin D. Roosevelt). For many years immigration has been a controversial topic, despite the fact that most of us are either immigrants or descendants of immigrants. Unless one is a Native American, most people migrated here from Mexico, China, or any other country besides the United States. The majority of immigrants in this country are here for many reasons, but one of the primary reasonsRead MoreThe Debate On Immigration Reform958 Words   |  4 Pagesfor Alien Minors, or DREAM Act, brought about legal, ethical, and logistical concerns. Illegal immigration and the population unauthorized alien in the United States were key issues in the ongoing debate on immigration reform. However, the benefits of this bill outweighed its disadvantages. Immigration policies in the United States concerning undocumented workers are strict and direct. Employers are not allowed to employ illegal or undocumented immigrants. The DREAM Act which was enacted by the ObamaRead MoreThe Issue Of Illegal Immigration1420 Words   |  6 PagesOne of the most controversial issues in politics today is that of illegal immigration. â€Å"Immigration has been a constant source of economic vitality and demographic dynamism throughout our nation’s history.† (CAP Immigration Team, 2014) There are thousands of immigrants that arrive in the United States each year. Over the years, illegal immigration has been growing despite policies made to prevent this growth. In my opinion, immigration will continue to be a social issue that is fiercely debatedRead MoreAlien Minors Act921 Words   |  4 Pagespursue a three-step pathway to gain U.S. citizenship through work, college, or the armed services. The first step of this plan regards the recipient’s conditional permanent residence, meaning they have residential status for up to eight years. Secondly, the recipient must soon be granted lawful permanent residence, or a green card. And lastly, they can apply for citizenship after 5 years with their gree n card. To qualify for this, the child must have moved to the US before sixteen years of age, liveRead MoreThe Issue Of Birthright Citizenship922 Words   |  4 Pagestopic; that is next to illegal immigration which it is married. â€Å"Birthright Citizenship†, addresses the children born outside the country of their parent’s legal residence, and this is not just an American issue. While this previous statement, does not specify state illegal immigration, which appears to be some of the debate of this issue, during political season this does become a talking point in political circles. The opponents’ argument is to amend the constitution or status of the birthright citizenship;Read MoreThe Immigrant Problem in the US1780 Words   |  7 PagesStates. We still have many immigrants entering the United States to start a new and better life but this can create problems for the legal citizens when they do so illegally. There has been much debate on how to address this problem and how to figure out a solution to it. I believe that we have to have a clear path to citizenship for immigrants who come here illegally. The Senate passed a comprehensive bill last year that included a path to citizenship for those immigrants but the House of Representatives

Saturday, December 21, 2019

“The Story of an Hour” by Kate Chopin Essay - 922 Words

Kate Chopin’s The Story of an Hour is a brilliant short story of irony and emotion. The story demonstrates conflicts that take us through the character’s emotions as she finds out about the death of her husband. Without the well written series of conflicts and events this story, the reader would not understand the depth of Mrs. Mallard’s inner conflict and the resolution at the end of the story. The conflict allows us to follow the emotions and unfold the irony of the situation in â€Å"The Story of an Hour.† The story begins with the passage; â€Å"Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husbands death.† The conflict of the story begins here. Mrs.†¦show more content†¦Her emotions overtook her immediately and she was forced with the realism of the situation. She went to her room and would have no one follow her, because she needed to deal with this conflict alone. Though others were there who cared for her and wanted to help her through this hard time, Mrs. Mallard knew that she would be best left alone to resolve her emotional conflict. The story goes on to explain the emotions that Mrs. Mallard goes through when she is in her room alone, going over the news she had just received. This is the part of the story when the conflict turns from outward to in; a conflict with the character against the situation to a conflict between the character and herself, or the character and her emotions. The passage; â€Å" She was beginning to recognize this thing that was approaching to possess her, and she was striving to beat it back with her will--as powerless as her two white slender hands would have been. When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under the breath: free, free, free,† possesses beautiful imagery that brings the reader into the emotional confl ict Mrs. Mallard is experiencing. (Chopin) The story continues to reveal a conflict Mrs. Mallard may have had in the relationship with her husband. Though she speaks about him lovingly and knows that he loved her, there is something deeper that is brought to the surface inShow MoreRelatedThe Story Of An Hour By Kate Chopin1241 Words   |  5 Pagesâ€Å"The Story of an Hour† by Kate Chopin is a wonderful short story bursting with many peculiar twists and turns. Written in 1894, the author tells a tale of a woman who learns of her husband’s death, but comes to find pleasure in it. Many of the elements Kate Chopin writes about in this story symbolize something more than just the surface meaning. Through this short story, told in less than one thousand one hundred words, Kate Chopin illustrates a deeper meaning of Mrs. Mallard’s marriage with herRead MoreThe Story Of An Hour By Kate Chopin855 Words   |  4 PagesThe Story of an Hour In the â€Å"Story of an Hour† by Kate Chopin, is about pleasure of freedom and the oppression of marriage. Just like in Kate Chopin’s story, inside most marriages, even the ones that seem to be the happiest, one can be oppressed. Even though, one might seem to be happy deep inside they miss the pleasure of freedom and living life to the fullest. Just like, in this story Mrs. Mallard feels trapped and when she hears about her husband’s death she first feels distraught, but ultimatelyRead MoreThe Story Of An Hour By Kate Chopin1457 Words   |  6 PagesEmotions and Death Everyone who reads a story will interpret things slightly different than the person who reads it before or after him or her. This idea plays out with most every story, book, song, and movie. These interpretations create conflict and allow people to discuss different ideas and opinions. Without this conflict of thought there is no one devoting time to debate the true meaning of a text. Kate Chopin’s â€Å"The Story of an Hour† tells about a woman who is informed of her husbands deathRead MoreThe Story Of An Hour By Kate Chopin987 Words   |  4 PagesIn Kate Chopin’s short story, â€Å"The Story of an Hour† reader’s see a potentially long story put into a few pages filled with rising action, climax and even death. In the beginning of the story, character Louise Mallard, who has a heart condition, is told of the death of her husband by her sister and one of her husband’s friends. Afterwards Mrs. Mallard is filled with emptiness and then joy of freedom. This joy of freedom is actually what consequently leads to her death in the end when she discoversRead MoreThe Story Of An Hour By Kate Chopin1061 Words   |  5 PagesThroughout the short story, â€Å"The Story of an Hour†, readers are introduced to characters whose lives change drastically in the course of this writing. Through Kate Chopin’s story we can identify many different themes and examples of symbolism in her writing. Chopin’s choice of themes in this writing are no surprise due to the time frame of which this story was written. Chopin often wrote stories with of women’s rights, and is noted as one of America’s first open feminists. As this story of an ill, helplessRead MoreThe Story Of An Hour By Kate Chopin972 Words   |  4 Pagesâ€Å"The Story of an Hour† by Kate Chopin expresses Ms. Mallard’s feelings towards her husband’s death in an appalling train accident. Due to her bad heart, her sister Josep hine had to be the bearer of bad news and approach his death gently to her. According to the quote, â€Å" But now there was a dull stare in her eyes, whose gaze was fixed away off yonder on one of those patches of blue sky. It was not a glance of reflection, but rather indicated a suspension of intelligent thought†, it lets us know thatRead MoreThe Story Of An Hour By Kate Chopin998 Words   |  4 Pagesâ€Å"The story of an hour† by Kate Chopin was a story that was ironical yet profoundly deep. As a student I have been asked to read â€Å"a story of an hour† many times, and every time I’m surprised by how I enjoy it. People can read thousands of stories in their life times and only a handful will every stand out to them, stories that can draw out an emotion or spark a thought are the ones that will standout more. For me and â€Å"a story of an hour† the thought of freedom is what draws me the most as a teenageRead MoreThe Story Of An Hour By Kat e Chopin1542 Words   |  7 PagesIn the short story, â€Å"Story of an Hour†, Kate Chopin writes about a woman with heart trouble, Mrs. Mallard, who, in finding out about the death of her husband, Mr. Mallard, experiences some initial feelings of sadness which quickly transition into the exhilarating discovery of the idea of a newfound freedom lying in front of her. When it is later revealed that her husband is not actually dead, she realizes she will not get to taste that freedom. The devastation kills her. What Mrs. Mallard goes throughRead MoreThe Story Of An Hour By Kate Chopin886 Words   |  4 Pages In Kate Chopin â€Å"The Story of an Hour†, the reader is presented with the theme of prohibited independence. In Kate Chopin â€Å"The Storm†, the scenery in this story builds the perfect atmosphere for an adulterous affair. The importance of these stories is to understand the era they occurred. Kate Chopin wrote stories with exceptional openness about sexual desires. In â€Å"The Storm†, a short story written by Kate Chopin in a time when women were expected to act a certain way and sexual cravings was consideredRead MoreThe Story Of An Hour By Kate Chopin1540 Words   |  7 PagesIn Kate Chopin’s â€Å"The Story of an Hour†, the main character, Mrs. Louise Mallard, is a woman with a heart problem that gets horrifying news that her husband has passed away in a train crash. When she starts thinking about her freedom, she gets excited; she is happy to start her new, free life. However, a few hours later her husband walks in the door and she finds out it was all a mistake. When she realizes her freedom is gone her heart stop and she then dies. In â€Å"Desiree’s Baby† Desiree is an orphaned

Friday, December 13, 2019

Arcangelo Corelli the Period, Life, and Works Free Essays

string(80) " in the service of Queen Christina of Sweden in 1679 \(â€Å"Arcangelo† par 1\)\." Brianna Hunter MUL1110-3060 Professor Kranz February 20, 2013 Arcangelo Corelli: The Period, Life, and Works Music was discovered thousands of years ago and has only progressively gotten better with the invention of instruments and the development of musical dynamics. During the baroque period, in which Arcangelo Corelli lived and died, music was beginning to evolve into a more diverse musical experience. Arcangelo Corelli was one of the few violin and musical composer pioneers that helped shape music and create some of the most recognized compositions of his era. We will write a custom essay sample on Arcangelo Corelli: the Period, Life, and Works or any similar topic only for you Order Now According to Baroque Music, Corelli not only shared his musical knowledge with fellow musicians, but was known as the â€Å"founder of modern violin technique,† the â€Å"world’s first great violinist,† and the â€Å"father of concerto grosso. † The period, life, and works in which the great Arcangelo Corelli lived will be discussed in greater detail as the paper progresses. To begin, the baroque period, also known as the â€Å"age of absolutism,† is classified by the years 1600, in which opera began, to the death of Johann Sebastian Bach in 1750 (Kamien 99). Opera was birthed in Italy within the baroque period and provided the people a show of â€Å"magnificent extravagance† with more emphasis on the words than the music (Kamien 118-19). Furthermore, the baroque styled opera marked the entrance of castrato singers. These singers were males who had been castrated before they hit puberty to ensure the lung power of men and the vocal range of women. â€Å"By combining virtuosity, nobility, and extravagance, baroque opera perfectly expressed the spirit of a grand age† (Kamien 120). As well as the start of opera, the texture of the music was imperative during the baroque period. In the early baroque period, from 1600 to 1640, musicians favored the homophonic texture of music. Early baroque composers thought the only way to clearly project the lyrics of the songs was to have a main, constant melody with stressed contrasting sounds by singers against a chorus or using voices against instruments. On the contrast, during the late baroque period, 1690-1750, the favored texture was polyphonic, just as it had been during the renaissance period (Kamien 102). According to NAU, â€Å"polyphonic texture contains two or more active melodies†¦ with emphasis placed upon the interplay between lines, rather than on a single melody or a stream of chord sounds† (par 1). In addition, the layering of voices shares importance with the polyphonic texture of the baroque period. â€Å"Layering is when two or more voices move at different but closely related levels of rhythmic activity, similar to different parts of a machine moving at different but related speeds† (â€Å"Polyphonic† par 2). Although homophonic texture paved a way for music of the baroque period, most of the baroque compositions that are well-known used the polyphonic texture which helped â€Å"instrumental music become as important as vocal music for the first time† (Kamien 102) In addition, the form of the music in the baroque period was also important. The musical forms varied from sonatas to concerto grosso to the most basic forms. For instance, the two basic musical forms are ternary form, which is a three-part A B A sequence, and binary form, which is a two-part A B sequence. The most commonly used basic form of the baroque period was the ternary form, which had sounds that mirrored â€Å"a statement, a contrast or departure, and a return,† hinting an A B A sequence (Kamien 49-50). Next, the concerto grosso was very essential for late baroque. The concerto grosso, â€Å"a small group of soloists pitted against a larger group of players called the tutti (all),† was used by orchestras in upper-class palaces that provided the soloists with â€Å"brilliant and fanciful melodic lines† (Kamien 108). Finally, the sonatas were popular in the baroque period for churches, performances, and for leisure. A sonata is â€Å"a composition in several movements for one to eight instruments. † In the same way, the trio sonata gained popularity with composers because they were composing for three melodic lines (Kamien 125). With that in mind, Arcangelo Corelli composed a trio sonata in 1689 for stringed instruments called the Trio Sonata in A Minor, Op. 3, No. 10 with four movements (Kamien 126). Although the trio onata would appear to have three parts, the trio sonata in fact has four instrumentalists, with two high instruments and two instruments for the lower basso continuo (Kamien 125). Relatively, tempo was an important development of the baroque era. Before the seventeenth century, tempo was indicated by notations. Conversely, the baroque period was the beginning of using terms to describe tempo which originated in Italy and quickly spread throughout Europe. Consequently, the te rms still used today to describe tempo are in Italian. For example, allegro means a fast tempo, accelerando means becoming faster, and largo means a very slow tempo. Even though the terms were created, some composers still had confusion about the many different meanings that the words could denote. In correlation, â€Å"the invention of the metronome allowed composers to become very precise with their tempo markings, however most conductors and performers still tend to regard tempo as a matter of interpretation† (Miller par 4). In Fusignano, Italy, on February 17, 1653, over 360 years ago, Italian violinist Arcangelo Corelli was born to a prosperous family. Santa and Arcangelo Corelli Sr. had five children together, including Arcangelo— Ippolito, Domenico, Giovanna and Giacinto. Corelli was named after his father who unfortunately died a month before his birth and as a result, he was raised by his single mother, Santa Corelli (Talbot 181). Corelli’s initial musical studies were with the local clergy near Faenza, Italy and then finally studied in Bologna, Italy in 1666. â€Å"His studies there were with Giovanni Benvenuti and Leonardo Brugnoli, the former representing the disciplined style of the Accademia filarmonica (to which Corelli was admitted in 1670)† (Whent par 1). According to Padre Martini, Arcangelo Corelli took his first violin lessons at Bologna from Benvenuti and then later Brugnoli (Talbot 181). In the mid 1670’s, Corelli established himself in Rome, Italy where he found himself in the service of Queen Christina of Sweden in 1679 (â€Å"Arcangelo† par 1). You read "Arcangelo Corelli: the Period, Life, and Works" in category "Papers" Prior to meeting Queen Christina, Corelli â€Å"appeared as a violinist in the orchestra that recruited for a series of Lenten oratorios at S. Giovanni dei Fiorentini† in 1676 (Talbot 182). In 1681, Arcangelo dedicated his Opus1 to the Queen of Sweden which he escribed as the â€Å"first fruits of his studies† (Talbot 183-84). In 1684, Corelli began to regularly perform at musical functions for an employer named Cardinal Pamphili. Shortly after beginning his services for Pamphili, Corelli dedicated his Opus 2 to him in 1685 (Talbot 185). Correspondingly, â€Å"on July 9, 1687 Card inal Pamphili engaged Corelli as his music master at a monthly salary of ten Florentine piasters† (Talbot 186). At this time, Corelli and his pupil, Matteo Fornari, moved into Pamphili’s palace to serve their talents. Sadly, Pamphili moved out of Rome in 1690, which left Corelli to find a new patron. Fortunately, Corelli quickly found patronage in Cardinal Pietro Ottoboni, to whom he dedicated his Opus 4 to (Kemp par 1). Luckily for Corelli, Ottoboni viewed him more as friend than a servant and allowed Corelli to live the rest of his life in his palace (Kemp par 2). Furthermore, Corelli directed opera pieces at the Cancelleria and the Tordinona theatre. In â€Å"Naples, Italy on May 1, 1702, Corelli played Scarlatti’s Tiberio, imperator d’Oriente† (Talbot 188). With his evidently superior skills, â€Å"in 1706 Corelli was elected as one of only a handful of musicians to the select the artistic circle known as the Accademia degli Arcadi† (Kemp par 2). Regrettably, after 1708, Arcangelo Corelli discharged himself from the public’s eye, and â€Å"busied himself with the composition of concerti grosso† (Talbot 189). A few years later, in December of 1712, his health began to deteriorate. Consequently, Corelli wrote his will on January 5, 1713, in which he left â€Å"all his violins, his manuscripts, the plates of his Opus 4, and his future Opus 6† to his pupil, Matteo Fornari. Three days later, Arcangelo Corelli, at the age of 59, died in Rome, Italy (Talbot 189) and was buried in the Pantheon, near Raphael Sanzio da Urbino, a famous painter (Kemp par 3). â€Å"The anniversary of his death was marked for several years afterwards by solemn performances of his concertos in the Pantheon† (Talbot 190). In relation to Corelli’s musical success, his musical style was revolutionary. â€Å"Corelli popularized certain rhythmical stereotypes, in particular the ‘walking’ or ‘running’ bass in which an inessential note is interposed between two harmony notes† (Talbot 196). His allegros are characterized by rapid changes of harmony underlining the metrical structure, repeated notes, widely ranging themes, idiomatic violin writing†¦ and a mechanically progressive rhythm† (Whent par 6). Even though Arcangelo Corelli was an innovator of sorts, the only device he is named after is the ‘Corelli clash’ (â €Å"where the late resolution on to the leading note at a cadence coincides with the anticipation of the tonic note in the companion upper part†) which was popular in 1680’s dance music (Talbot 196). According to Talbot, â€Å"in formal matters, Corelli is often credited with the clearest exposition of the difference between the ‘church’ and ‘chamber’ varieties of sonata, and the establishment of four movements as the norm in both† (196). â€Å"Few composers achieved so much so quickly, and with such economical means, as Corelli† (200). Undoubtedly, Arcangelo Corelli created many masterpieces that received much praise during and after his lifetime. His Opus 1, to whom he dedicated to Queen Christina of Sweden, is twelve church trio-sonatas. (â€Å"Arcangelo† par 8). Opus 1 (Opera Prima) was written for â€Å"two violins and Violone or Archlute with organ bass and in a somewhat serious contrapuntal style† (Deas 7). Admittedly, Opus 1 has been reprinted â€Å"through 35 known editions between 1681 and 1785† (Talbot 193). Following Opus 1 and 2, Corelli created Opus 3 (Opera Terza), which is a set of twelve trio-sonatas in dedication to the Duke of Modena in 1689 (Deas 6). According to Deas, in Opus 3 â€Å"there is plenty of vigorous independent part-writing in the many fugal movements and, in the slow introductions and middle movements, a poise and dignity that might be called Handelian† (7). In fact, Johann Sebastian Bach â€Å"borrowed the subject of the second movement of Opus 3 No. 4 for an organ fugue† ( Talbot 193). Not before long, Arcangelo Corelli was back at it again with his composition of Opus 5, the most popular opus of his career with 42 editions being reprinted by 1800 (Talbot 193). Opus 5 is a set of twelve violin and bass sonatas that were dedicated to Sophia Charlotte, Electress of Brandenburg with no clear date of creation (Deas 6). Corelli’s Opus 5 continued to be performed and used as teaching pieces before and after his death (Zaslaw par 2). In fact, according to Zaslaw, â€Å"no other set of works enjoyed a comparable reception in the 18th century† more than Corelli’s Opus 5 (par 1). Before his untimely death, Corelli started, but never finished Opus 6 (Opus Sesta). Opus 6, dedicated to John William, Elector Palatine, was finally finished and published in 1714 (Edwards 526) with help from Corelli’s former pupil Matteo Fornari (Talbot 189). In Corelli’s Opus 6 concerto grosso, â€Å"the smaller group consists of two violins and a cello, and the larger of a string orchestra† (â€Å"Arcangelo† par 5). Although Corelli did not invent concerto grosso, â€Å"it was he who proved the potentialities of the form, popularized it, and wrote the first great music for it† and if not for him as a model, â€Å"it would have been impossible for Vivaldi, Handel, and Bach to have given us their concerto grosso masterpieces† (Arcangelo† par 4). Corelli â€Å"reached his creative peak and climaxed all his musical contributions† with the publication of his concerto grosso (â€Å"Arcangelo† par 3). In final consideration, Arcangelo Corelli, Italian violinist, was a heavy hitter of his time period. Corelli had many pupils that included Francesco Geminiani and Antonio Vivaldi who later went on to influence the famous Johann Sebastian Bach (â€Å"Arcangelo† par 9). â€Å"His contributions can be divided three ways, a violinist, composer, and teacher. It was his skill on the new instrument known as the violin and his extensive and very popular concert tours throughout Europe which did most to give that instrument its prominent place in music† (â€Å"Arcangelo† par 2). â€Å"As a violinist, he was one of Europe’s most sought-after teachers, exerting an influence on instrumental technique which spread well into the 18th century† (Kemp par 3). Point in fact, according to Kemp, â€Å"his 48 published trio sonatas, 12 solo violin sonatas and 12 concerti grossi were quickly recognized as offering supreme models of their kind† (par 3). â€Å"As a composer he was the first to become famous based solely on instrumental composition, the first composer whose reputation was directly influenced by music publishers, and the first to produce instrumental works that would become classics† (Cole par 1). Arcangelo Corelli â€Å"has taken a place among the immortal musicians of all time, and he maintains that exalted position today† and will forever remain a pioneer for baroque music (â€Å"Arcangelo† par 10). Works Cited â€Å"Arcangelo Corelli. † Baroque Music. Internet Arton Publications, n. d. Web. 15 Feb. 2013. Cole, Richard. , et al. â€Å"Arcangelo Corelli. †Ã‚  Virginia Tech Multimedia Music Dictionary. Virginia Tech Department of Music, n. d. Web. 15 Feb. 2013 Deas, Stewart. â€Å"Arcangelo Corelli. † Music Letters Jan. 1953, Vol. 34, No. 1: 1-10. JSTOR. Web. 15 Feb. 2013. Edwards, Owain. â€Å"Corelli and The Violin. †Ã‚  History Today  26. 8 (1976): 525-531. Academic Search Complete. Web. 15 Feb. 2013. Kamien, Roger. Music: An Appreciation. 7th ed. New York: McGraw-Hill, 2011. Print. Kemp, Lindsay. Arcangelo Corelli. † BBC News. BBC, 2003. Web. 15 Feb. 2013. Miller, R. J. â€Å"The Baroque Era. †Ã‚  clem. mscd. Appassionata Music Pub. , 2002. Web. 15 Feb. 2013. â€Å"Polyphonic Texture and Genres. †Ã‚  NAU. N. p. , n. d. Web. 15 Feb. 2013. Talbot, Michael. â€Å"Arcangelo Corelli. † Italian Baroque Masters. Ed. Stanley Sa die. New York, London: W. W. Norton Company, 1984. Print. Whent, Chris. â€Å"Arcangelo Corelli. †Ã‚  HOASM. N. p. , n. d. Web. 15 Feb. 2013. Zaslaw, Neal. â€Å"Ornaments for Corelli’s Violin Sonatas, Op. 5. †Ã‚  Oxford Journals. Oxford University Press, 1996. Web. 15 Feb. 2013. How to cite Arcangelo Corelli: the Period, Life, and Works, Papers